Elastic Audio : Moving Elastic Audio Between Tracks
 
Moving Elastic Audio Between Tracks
Pro Tools analyzes, conforms, and commits audio in different ways when moving audio clips between tracks with Elastic Audio enabled and tracks without Elastic Audio enabled. The following table shows the different results for moving clips between real-time Elastic Audio-enabled tracks, Rendered Elastic Audio-enabled tracks, and audio tracks without Elastic Audio.
Moving Elastic Audio between tracks
From
To
Result
Real-time Elastic Audio–enabled track
Rendered Elastic Audio–enabled track
Render clip with destination track’s Elastic Audio plug-in
Real-time Elastic Audio–enabled track
Audio track
(no Elastic Audio)
Render clip with source track’s Elastic Audio plug-in and commit the clip to the destination track
Rendered Elastic Audio–enabled track
Real-time Elastic Audio–enabled track
Apply real-time Elastic Audio processing using the
destination track’s Elastic Audio plug-in
Rendered Elastic Audio–enabled track
Audio track
(no Elastic Audio)
Commit to track
Audio track
(no Elastic Audio)
Real-time Elastic Audio–enabled track
Calculate Elastic Audio analysis and apply real-time Elastic Audio processing using the destination track’s Elastic Audio plug-in
Audio track
(no Elastic Audio)
Rendered Elastic Audio–enabled track
Calculate Elastic Audio analysis and render the clip using the destination track’s Elastic Audio plug-in
Pitched Elastic Audio–enabled track
Audio track
(no Elastic Audio)
Render clip pitch shift with source track’s Elastic Audio plug-in and commit the clip to the destination track
*Clips that are committed, either by disabling Elastic Audio on a track or by moving a clip to a track without Elastic Audio enabled, are written to disk as new audio files (see “Committed Clips” on page 556.)